電子音樂用英語怎么說
電子音樂簡稱電音、電子樂，只要是使用電子樂器音色所創(chuàng)造的音樂，都可成為電子音樂。今天學習啦小編為大家?guī)黼娮右魳返挠⒄Z說法，希望對大家的學習有所幫助!
電子音樂的英語說法
electronic music
電子音樂相關(guān)英語表達
電子音樂類型列表 List of electronic music genres
現(xiàn)場電子音樂 Live Electronic Music
電子音樂作曲 Electronic Music Composition
電子音樂中心 electronic music centre
電子音樂基金會 Electronic Music Foundation
電子音樂的英語例句
1. Do you remember when everyone got a bit tired of electronic clutter and went unplugged and acoustic?
你還記得那時候大家都有些厭倦電子音樂的嘈雜聲而拔掉電子樂器回歸到原聲狀態(tài)嗎?
2. The instrument can also double as an electronic control for a full - size music synthesizer.
它可以兼作一個全套電子音樂合成器的電子控制部分.
3. KAREN: The New Bar is all techno music on Friday night.
凱倫: 新酒吧在星期五晚上都是電子音樂.
4. STEVE: It's not all techno music. It's not a special techno night.
史帝夫: 并不都是電子音樂, 那不是一個獨特的電子音樂晚上.
5. The sound sample design of oriental musical instruments inelectronic music.
電子音樂中東方樂器聲音樣本的設(shè)計.
6. When music turns electronic, the twist of a knob can change everything.
自從有了電子音樂, 捻一個旋鈕便改變了一切.
7. This is a very lively electronic music.
這是一首動感十足的電子音樂.
8. And then there is techno music.
再來就是電子音樂.
9. Electronic music has come to stay.
電子音樂已經(jīng)扎下根來.
10. I'm interested in electric music.
我對電子音樂很感興趣.
11. This week, an Asian prodigy, who's known for putting some electricity into the classical violin.
本周的嘉賓是一位亞裔音樂天才, 她因把電子音樂融入古典小提琴而聞名.
12. I like music, rock, classical music , music, electronic , solo piano symphony, etc, are all in scope.
我喜歡音樂, 搖滾, 古典,電子音樂, 輕音樂, 交響曲, 鋼琴獨奏等等, 都在范圍里.
13. Electronic music plays inside the cubicles and the toilet cleans itself after each usage.
洗手間內(nèi)播放著電子音樂,每次使用過后,馬桶會自動清洗.
14. Machine music which later evolved into electronic music, gave the composer unlimited possibilities of digital dexterity.
機械音樂后來發(fā)展到電子音樂, 用數(shù)字的靈敏給作曲家提供了無限的可能性.
15. If ring for electronic music, press the button on the reduction and termination, showed initial state.
如果是電子音樂門鈴在響, 按下復位按鍵就終止, 顯示初始狀態(tài).
有關(guān)電子音樂英文閱讀
In the mid-1960s the times they were indeed a-changin.
One of the places those changes were being felt was the world of folk music, says rock historian Elijah Wald, author of a new book, “Dylan Goes Electric.”
“There was a moment in the early 60s where you could look at the Billboard chart and seven of the top 10 albums were folk records.
And Joan Baez, Peter Paul and Mary, the Kingston Trio, all had huge, huge, huge number-one records.”
And then all that changed.
In 1964, the Beatles had hit and by the summer of 1965 a lot of people in the folk scene were sort of feeling like their world was threatened.”
They were hoping that Bob Dylan would come to the rescue.
Dylan had become a legend in folk music circles, both as a powerful songwriter and a distinctive singer.
Most of the crowd at the Newport Folk Festival on the evening of July 25, 1965 were expecting to hear this,instead when Dylan took the stage,this is what they got.
Dylan had gone electric, and the folk purists didn't like it one bit.
“And when Dylan went electric, I think one of the issues was the feeling that-wait a minute, he's gone over to the enemy.”
Once they recovered from the shock of it, the audience expressed their displeasure-they booed.
Folk fans had looked to Dylan to save their movement from the rock'n' roll onslaught, but "Dylan had always liked rock'n roll and Dylan didn't think of rock-n-roll as stupid music.”
In fact, Dylan was a Beatles fan.
He would later say that from the first time he heard the Beatles he knew “they were pointing to the direction where music had to go.”
“Honestly, once the Beatles hit, I think the writing was on the wall.
But when Dylan went with the Beatles on that one, that was that…
That was essentially the end of the folk scene as a huge mainstream pop trend.”
Beyond the music, Dylan's performance that night also marked a turning point in American culture.
"There are two halves to the 1960s.”
What he meant was: just picture Martin Luther King, Jr.'s March on Washington in 1963-most of the protesters are wearing suits.
You'd never see that in the hippie days of the late 60s.
“Before 1965 was really a different world, and it's the 60s of the Civil Rights Movement,and of folk music and of joining arms across the generations and across the races.
And after 1965 it's the world of rock…I'm not saying that Dylan created that change,but I do think that the confrontation at Newport happened because it was symbolic of that much larger confrontation,and has been remembered because it really is sort of the moment of rupture where the new 60s emerged.”
參考譯文
在20世紀60年代中期,他們確實曾發(fā)生過改變。
新書《Dylan Goes Electric》的作者搖滾人艾麗·瓦爾德表示感受這些改變的一個地方就是民謠。
“在60年代早期曾有一段時期,如果你關(guān)注下歐美流行音樂排行榜，就會發(fā)現(xiàn)位居前10的專輯中有7張是民謠。
而瓊·貝茲，彼得保羅和瑪麗及瓊·貝茲, 金斯頓三重奏樂隊都曾獲得過巨大的成功。”
然而一切都發(fā)生了改變。
1964年,甲殼蟲樂隊開始一炮走紅,而截至1965年夏天,民謠圈中的很多人都感受到了威脅。”
他們希望鮑勃·迪倫能站出來力挽狂瀾。
當時的迪倫已經(jīng)成為民謠音樂的傳奇,歌曲創(chuàng)作表現(xiàn)強勢而且歌唱表演方面特立獨行。
1965年7月25日晚的新港民謠節(jié)上，大多數(shù)人曾期望聽到的是這樣的歌曲,但迪倫登臺時,他們耳中傳來的卻是大不相同的音樂。
迪倫那時候轉(zhuǎn)戰(zhàn)電子音樂,這是純民謠主義者所不喜歡的。
“迪倫轉(zhuǎn)戰(zhàn)電子音樂時,我想的一個問題是人們對他的感覺，等等,他是我們的死對頭。”
一旦從這種打擊中恢復,觀眾通過一片噓聲訴說著自己的不滿。
民謠粉絲們曾指望救世主迪倫從搖滾的沖擊中挽救他們,但迪倫一直鐘愛著搖滾樂而且他從未想過搖滾是愚蠢之極的音樂。
事實上,迪倫曾是披頭士的一位樂迷。
后來他曾回憶在自己第一次聽到披頭士后他就心知肚明，“披頭士指引著未來音樂必須經(jīng)歷的發(fā)展方向。”
“老實說,一旦甲殼蟲樂隊開始走紅,我認為詞曲創(chuàng)作就是表面上的事情。
但當?shù)蟼惡图讱はx樂隊開始時,一切就代表著…
這是本質(zhì)上身為巨大主流流行趨勢民謠歌曲的終結(jié)。”
而拋開音樂，迪倫那晚的表現(xiàn)也標志著美國文化上的一個轉(zhuǎn)折點。
“對于20世紀60年代而言有兩半。”
他的意思是:想想馬丁·路德·金，他在1963年3月在華盛頓的游行—當時大多數(shù)抗議者都身著西裝。
這樣的場景永遠不會讓你聯(lián)想到60年代末滿大街嬉皮士的日子。
“在1965年前是一個截然不同的世界,那時是60年代的民權(quán)運動,還有民樂及各世代種族間的殺戮。而1965年以后的世界搖滾…我不是想說迪倫一手創(chuàng)造了這種變革,但我確實認為,新港的對立的確有所關(guān)系,因為它象征著更大規(guī)模的對立,而且它一直被人銘記,因為它確實是告別舊時代，迎接新世代的截點。”
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