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學(xué)習(xí)啦 > 學(xué)習(xí)英語(yǔ) > 英語(yǔ)閱讀 > 英語(yǔ)優(yōu)美段落 >

英語(yǔ)的名著優(yōu)美段落帶段落

時(shí)間: 詩(shī)盈1200 分享

  有很多英語(yǔ)名著的英語(yǔ)段落是很有參考價(jià)值的,所以小編今天就給大家?guī)?lái)了英語(yǔ)的優(yōu)美段落,歡迎大家閱讀和借鑒

  英語(yǔ)優(yōu)美段落一

  Stray Birds

  1)Stray birds of summer come to my window to sing and fly away.

  And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.

  If you 2)shed tears when you miss the sun, you also miss the stars.

  Man is a born child, his power is the power of growth.

  The trees come up to my window like the 3)yearning voice of the dumb earth.

  You smiled and talked to me of nothing and I felt that for this I had been waiting long.

  The fish in the water is silent, the animal on the earth is noisy, the bird in the air is singing.

  But Man has in him the silence of the sea, the noise of the earth and the music of the air.

  The world rushes on over the strings of the 4)lingering heart making the music of sadness.

  We come nearest to the great when we are great in 5)humility.

  The mist, like love, plays upon the heart of the hills and brings out surprises of beauty.

  Your voice, my friend, wanders in my heart, like the 6)muffled sound of the sea among these listening 7)pines.

  What is this unseen flame of darkness whose sparks are the stars?

  Let life be beautiful like summer flowers and death like autumn leaves.

  The touch of the nameless days clings to my heart like mosses round the old tree.

  飛鳥(niǎo)集

  夏天的飛鳥(niǎo),飛到我的窗前唱歌,又飛去了。

  秋天的黃葉,它們沒(méi)有什么可唱,只嘆息一聲,飛落在那里。

  如果你因失去了太陽(yáng)而流淚,那么你也將失去群星了。

  人是一個(gè)初生的孩子,他的力量,就是生長(zhǎng)的力量。

  綠樹(shù)長(zhǎng)到了我的窗前,仿佛是喑啞的大地發(fā)出的渴望的聲音。

  你微微地笑著,不對(duì)我說(shuō)什么話。而我覺(jué)得,為了這個(gè),我已等待得很久了。

  水里的游魚(yú)是沉默的,陸地上的獸類是喧鬧的,空中的飛鳥(niǎo)是歌唱著的。但是,人類卻兼有海里的沉默,地上的喧鬧與空中的音樂(lè)。

  世界在躊躇之心的琴弦上跑過(guò)去,奏出憂郁的樂(lè)聲。

  當(dāng)我們是最為謙卑的時(shí)候,便是我們最接近偉大的時(shí)候。

  霧,像愛(ài)情一樣,在山峰的心上游戲,生出種種美麗的變幻。

  我的朋友,你的語(yǔ)聲飄蕩在我的心里,像那海水的低吟聲繚繞在靜聽(tīng)著的松林之間。

  這個(gè)不可見(jiàn)的黑暗之火焰,以繁星為其火花的,到底是什么呢?

  使生如夏花之絢爛,死如秋葉之靜美。

  無(wú)名日子的感觸,攀緣在我的心上,正像那綠色的苔蘚,攀緣在老樹(shù)的周身。

  英語(yǔ)優(yōu)美段落二

  The Mysterious Recluse

  Garbo—divine, mysterious, 1)reclusive. One of the most famous faces of the 20th century. On screen she was 2)raw sexuality, off screen her affairs with men and women 3)captivated the press. And her silence made her a legend. But it was a legend she tried to escape for fifty years. What was the secret of Greta Garbo? The truth lies in the face, the voice and our own appetite for mystery.

  Greta Lovisa Gustafson was born on September 18, 1905 in the working class soda 4)mall merrier of Stockholm.

  The 19-year-old Garbo said goodbye to her family in Stockholm, she was given visa number 396 and arrived in New York City on July 5, 1925. At the time MGM 5)publicity chief Howard Dietz said of 6)Garbo, “I hate that name, It reminds me of garbage.” America was unimpressed with Greta -- but a series of 7)amateur photos was about to launch Garbo’s career.

  After three months, production chief Irving Thalberg assigned Garbo to The Torrent. Garbo’s natural manner distinguished her from more histrionic silent actors. MGM had found Garbo’s identity. Off screen, Garbo barely spoke English. When she tried to joke that she was an “imported star”, but accidentally said “important star” the crew laughed at her 8)vanity. On screen, MGM enhanced the 9)mystique of its new star by teaming her with the best photographers and designers. Clarence Sinclair Bull was assigned to do all her official photography. He would become known as “the man who shot Garbo.” He referred to her as the Mona Lisa of the 20th century.

  Garbo created a new kind of 10)glamour. A combination of sexuality, fashion and mystery. Audiences wanted to know more about the woman behind the face, but Garbo refused to talk. The studio played along since her 11)reticence seemed to create more interest in the Swedish 12)sphinx. The 13)subtext of one of her next films was thinly 14)veiled. Queen Christina was the story of the legendary 17th century Swedish leader who 15)abdicated her throne rather than 16)subjugate herself to a man.

  Greta Garbo (Lines from Queen Christina): I thought you would understand when you saw me again what had happened. Could it have been so enchanting to be a woman? Mother queen -- just a woman in a man’s arms.

  Garbo inspired and yet 17)defied interpretation, on screen and off. For the final shot of Queen Christina, Mamoulian gave his 18)inscrutable leading lady her most brilliant direction. He asked her to think of nothing.

  Garbo’s era had passed. She had outlived most of her lovers and costars. Greta Garbo’s screen legend had become Greta Garbo urban legend. In 1970’s New York, a Garbo sighting as she marched through the streets of Manhattan stopping only to browse through 19)junk shops and 20)antique stores was recorded the same status as a UFO. She became a 21)cult figure and showed up in unlikely places. On Friday April 28, 1990, she went for her regular 22)dialysis treatment but did not return. She died on Easter Sunday.

  They say the only thing an actor owes the public is a performance. That much Garbo gave. Whether she had nothing to say or simply said nothing doesn’t matter. Hers was a perfect face. A blank screen on to which the world projected what it needed to see. Her silence told us what we wanted to hear.

  冰雪美人——葛麗泰•嘉寶

  嘉寶,二十世紀(jì)最著名的人物之一,如仙女般的神秘,超凡脫俗。銀幕上她飄渺撩人,銀幕外她的愛(ài)情傳聞成為傳媒爭(zhēng)相報(bào)道的對(duì)象。沉默使她成為傳奇人物,五十年的遁世更是一個(gè)傳奇。嘉寶到底有何神秘之處?真相盡在她的臉龐上、聲音里和人們對(duì)神秘的好奇之中。

  1905年9月18日,葛麗泰•洛維薩•格斯塔夫森出生于斯德哥爾摩市蘇打街的一個(gè)工人家庭。

  十九歲的嘉寶告別斯德哥爾摩的家,拿著396號(hào)簽證,于1925年7月5日抵達(dá)紐約市。當(dāng)時(shí),米高梅的廣告總經(jīng)理霍華德•迪茲對(duì)嘉寶的評(píng)價(jià)是“我討厭嘉寶這個(gè)名字,它讓我想到垃圾。”美國(guó)人對(duì)葛麗泰也沒(méi)有絲毫印象,但有一群業(yè)余攝影師準(zhǔn)備要推動(dòng)嘉寶的事業(yè)前進(jìn)。

  經(jīng)過(guò)三個(gè)月的演出之后,制片主任歐文•撒爾伯格指定嘉寶參與《激流》的演出。嘉寶自然的氣質(zhì)使她在眾多的無(wú)聲電影演員中脫穎而出。米高梅發(fā)現(xiàn)了嘉寶的獨(dú)特之處。銀幕外,嘉寶很少說(shuō)英語(yǔ)。有次她想笑稱自己是一個(gè)“進(jìn)口明星”時(shí),卻不小心說(shuō)成了“重要明星”,那令工作人員取笑她虛榮。銀幕上,米高梅通過(guò)給她配備最好的攝影師和造型師來(lái)增加這位新星的神秘感??死瓊愃?•辛克萊•布爾被指派負(fù)責(zé)她所有正式場(chǎng)合的攝影工作。他因?yàn)榻o嘉寶拍攝而名聲鵲起。而他則把嘉寶比作是二十世紀(jì)的蒙娜麗莎。

  嘉寶展現(xiàn)了一種全新的魅力,那就是集性感、時(shí)尚與神秘于一身。觀眾想知道更多關(guān)于她的幕后故事,但嘉寶拒絕透露。她的沉默似乎讓人們對(duì)這個(gè)瑞典女神越來(lái)越著迷,而電影公司也竭力給予配合。這樣她接下來(lái)的一部影片的潛臺(tái)詞就不言而喻了。《瑞典女王》講述的是十七世紀(jì)瑞典女王寧愿放棄王位而不愿屈服于一個(gè)男子的傳奇故事。

  嘉寶(影片《瑞典女王》中的臺(tái)詞):等我們?cè)僖?jiàn)時(shí),我想你會(huì)明白這一切的。做一名女人就這么誘人嗎?皇太后——不過(guò)是在男人懷里的一個(gè)女人。嘉寶富有表現(xiàn)力,但她很反感旁人的指手劃腳,銀幕內(nèi)外皆是如此。在《瑞典女王》的最后一個(gè)鏡頭中,馬蒙利亞給予他那難以捉摸的女主角無(wú)以倫比的指導(dǎo)。他叫她什么都不要想。

  現(xiàn)在,嘉寶的時(shí)代已經(jīng)過(guò)去了。她比她的愛(ài)慕者和合作過(guò)的明星都要長(zhǎng)壽。嘉寶的銀幕神話轉(zhuǎn)變成了嘉寶的都市童話。在二十世紀(jì)七十年代的紐約,一個(gè)拍攝嘉寶穿過(guò)曼哈頓街道,駐足瀏覽便宜店和古董店的錄像,其價(jià)值等同于發(fā)現(xiàn)不明飛行物的鏡頭。她是人們頂禮膜拜的人物,并且常出現(xiàn)在意想不到的地方。1990年4月28日星期五,她去進(jìn)行常規(guī)的透析治療,但再也沒(méi)能回來(lái)。她于星期天復(fù)活節(jié)逝世了。

  都說(shuō)演員貢獻(xiàn)給公眾的只有表演。嘉寶盡力了。她究竟是無(wú)話可說(shuō)或者只是不發(fā)一言,這些都不重要了。她那完美無(wú)缺的臉孔正如一塊白幕,投影了全世界想要看到的一切。她的不語(yǔ)恰恰道出了我們最想聆聽(tīng)的聲音。


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